
My disappointment with
Heroes continues to grow, unfortunately. So much so that I really just didn't feel like writing anything up last night after watching it. Instead, I checked out
Christian Slater's new show,
My Own Worst Enemy, which actually held my attention better, at least in its first episode.
Let's get right to it and get the spoilers over with.
The writers are doing the worst possible job of writing Hiro. Here is a guy who has saved the world twice. He's trained under a master swordsman, and spent time as a samurai in medieval Japan. How is it that he is still a clueless, naïve idiot? That was part of what endeared him to us in the beginning, of course, that his desire to be a hero and save the world initially vastly exceeded his experience or ability. But by now, he should be a master of space and time, confident and in control of his abilities, and simply shouldn't fall for tricks like how Adam got away from him last night at the bar. That whole scene was right out of an early first-season episode, and Hiro should have evolved well beyond that.
Granted, things didn't end any better for Adam himself, who got jumped and captured by the mysterious
Pinehearst Company working at cross-purposes to the Company. As it turns out, Pinehearst is in the process of recruiting several of the evolved humans to its own unknown purpose. From what we've seen, especially when Angela was sent a vision of her so-far late husband which paralyzed her, their purposes are antithetical to the Company's. Further, we know they're the group Future Claire and her future friends are working for; Future Claire wears a Pinehearst pin, and they are seen in Pinehearst's buildings.
The only surprise that came out of that while scene in the bar was when Hiro stabbed Ando to prove he was ready to join Daphne's new group. This smacked, to me anyway, of reaching a little too far to provide the viewers with a serious cliffhanger. It's not much of one when I'm convinced Ando's in no real danger. Hiro rigged something to make it look like he stabbed his best and oldest friend without actually killing him. It is simply not in Hiro's nature to actually actively betray anyone like that. If the writers really believe he would do it, they've missed out on all of what makes Hiro who he is, and I despair for the rest of the series.
They did give us the answer to one small mystery, though not one I'd been greatly concerned with. I had assumed that Linderman was a hallucination on Nathan's part, either brain damage from his death and rebirth, some kind of underlying mental illness, or possibly (though this was a remote possibility) a side effect of his power. I had kind of hoped for the latter, since they've shown us the very high price Sylar is paying for his ability. I wanted to see some of the others develop unpleasant side-effects as well.
When Daphne started talking to Linderman outside the Pinehearst building, I knew it was going to be more than a mere hallucination. I'd wondered at whether they were showing us scenes that had happened a while in the past without labelling them as such at first. I'd have liked the idea that Linderman, while running the Company, had also gone ahead and set up its rival and had been actively recruiting people on both sides. As it turned out, it was all Maury Parkman's doing with his ability to control minds. What was interesting, though, was that he was doing it at the behest of Arthur Petrelli, Nathan and Peter's supposedly-dead father. I'd very much like to know what he's up to. My guess is he set up Pinehearst in opposition to the Company a long time before, and represents an opposing factor to whatever the Company is up to. Surely this opposition is what got injured to the point of needing a ventilator and presumed dead. It remains to be seen if Pinehurst really represents the good guys or the bad guys. Ideally, there would be no good or bad guys, just shades of grey.
Now that the writers have shown us their love of
The Fly, they've decided to have Mohinder steal from
Aliens instead. The injection and mutation has changed his personality so fundamentally as to make him another Sylar, prowling the city and preying on whoever he feels he needs. He's got them all cocooned to the walls of his lab for some unknown purpose, at least one of them still alive. And that's where Maya wanders in and discovers them, and subsequently becomes one of them herself. I fully expect within a couple episodes for them all to have baby Mohinderflys burst out of their sternums. If they (and we) are lucky, someone will return to the
Sulaco and nuke the site from orbit.
At least (hopefully) we won't be seeing much of Maya any more.
Comments
It's Superman syndrome. He
It's Superman syndrome. He forgets his powers whenever the regularly when the plot requires.
I like how Sylar suddenly
I like how Sylar suddenly lost his super hearing because ... uh, I don't know why. oh, right, because the plot required him to be ignorant of a conversation a few feet away.
Keep in mind, though, that
Keep in mind, though, that Hiro is frankly afraid of mucking about with the past. Last time he did it, he turned Adam Monroe into his nemesis and quite possibly set up the entire chain of events leading to Adam trying to release the Shanti virus onto the world. Also, he believes that encountering his past self and interacting with him could cause big problems with the space/time continuum. Granted, we've seen Future Peter do it with impunity, and there shouldn't be much butterfly effect for popping back a few seconds or minutes. But I can still respect his refusing to try to change the past a lot more than if he's pulling a Superman and just forgetting he has the power to do it at all.
Max Cherry as an evil
Max Cherry as an evil mastermind? I can't accept that.
The one thing that's *really* pissing me off with Hiro is that he will do something stupid or something he regrets doing and then absolutely forgets he can or refuses to go back in time 15 or 20 seconds and do things the way he really wanted to.
I'm hanging on to some hope
I'm hanging on to some hope myself. I was close to despair over Lost for a while, but they managed to start doing things I liked again. I dislike heavy-handedness in my stories, but I can forgive a lot if they have a solid plan and a good resolution.
I don't claim my preference for shades of grey and antiheroes represents any sort of depth in my own character. :P I just prefer things that reflect my own worldview, I suppose. The key to what you said there is growth. Whether they keep things muddied or return everyone to their proper roles, the characters do need to change and grow for the experience, or have a real, plausible reason why not. Otherwise, what, really, is the point of the story at all?
I've still got hope that
I've still got hope that things will resolve... We knew they were going to be playing with the notion of good and evil in this season, and I'm hoping that they're intentionally being a little heavy handed with it for now, and know what the resolution to all of this is going to be.
I'll admit I'm shallow enough to like my good guys in white hats and my bad guys in black hats. It's good to mix things up, but they need to find their way back into their hats eventually, and hopefully grow from the experience.